4×4 Meme: More About Me

I got tagged by Saffer, who I kind of regard as my commanding officer, so here goes.

Four Jobs I've Had in My Life:

  • 1987-1990: Working after school and weekend in Harris Printers, Porthcawl. I nagged the guy who ran it for a job and got one – folding stuff, stapling, sweeping up at the end of the day. It progressed through learning to set type and help run the letterpress, help make plates and run a litho through to installing and running their first Mac set-up. An SE30 with an A3 black-and-white radius screen and a LaserWriter+ that cost a small fortune.
  • 1992-93: Gregg's the Bakers, Cardiff. While in college – I had a job that involved sweeping and mopping the floor of the bakery shop and serving customers. You got to take home quiches and sausage rolls, so I thought it was a pretty sweet deal.
  • 1993-94: Architectural Assistant, Welsh Health Common Services Authority, NHS Wales For my year out working I stayed in Cardiff and had a hell of a year working in the NHS, drawing ceiling and landscaping details by-and-large but towards the end of my tenure there I got to do the early concepts for a few schemes such as a respite ward for cancer patients which had some interesting passive-solar features, and a medium-secure unit for violent mental patients, which probably wouldn't pass the Sarah Connor test, but did have nice 45 degree corners in corridors so patients could give staff nasty surprises. I also developed a nice moonlighting role getting paid cash-in-hand to do concept sketch work for one of the qualified architects over the weekend, which he would then pass off as his… This also sticks in my mind as being the one place I have worked where myself and three colleagues successfully managed to speak only using song titles for an entire day.
  • 1995: Assistant Producer, Camden Lock / Delphi: My first job out of architecture school, and into the WWW, courtesy of Mr. Phil Barrett. In a Camden basement where I met Stef, Yoz, Mick, Pouneh, Obi, Emyr, Alex, Pete, Graham, Stuart and others, mucked around with Emacs and Video Cameras; and fully fell in love with the Web.

Four TV Shows I DVR (I don't have a DVR, but let's say… time-shifted time-based media originally produced for television… ahem):

  • The Wire: I've just finished Season 2, so no spoilers. Also this is something I watch on planes, trains, buses – anywhere I'm on my own. Foe is not so into it to say the least. I, however, am totally hooked.
  • Lost: Season 4 and it is back on, as far as I'm concerned. Like the Alias Rambaldi Arc, I like my J.J.A stories weird and byzantine. The more DHARMA the better.
  • Sarah Connor Chronicles: It gets a bit emo now and again, but Cromatie is awesome. Also, I guess it's a sign of age that I fancy Lena Heady way more than Summer Glau.
  • Primeval: This is UK-pulp family scifi served straight-up and dumb, without any of the shameless Whedonising of RTD's Doctor. I love it.

Four places I've been:

  • Adelaide: Beautiful, and the central market is not to be missed – especially the lamingtons…
  • Shanghai: crazy corpuscular, muscular hypercapitalism. maximum city, reached by maglev. Maglev!
  • Aberdeen: grey stone in sunshine. A majestic market town and a little bit post-peak oil.
  • Sienna: The archetypal Italian hill town, and a wonderful place to passeggiata through the contrada…

Four music artists I'm listening to right now:

  • Saffer beat me to British Sea Power," Do You Like Rock Music?", but 'Atom' is magnificent.

That's it!

Now, I'm afraid I have to tag people don't I.

Chris Heathcote, Matt Webb, Flo Heiss and Iain Tait, come on down!

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“A jumble sale of the near future”

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7.30am, originally uploaded by Jaypeg.

Last week I went to the opening of the Brit Insurance Designs of the Year exhibition at the Design Museum.

The change from “Designer of the Year” to “Designs of the Year” is a stroke of genius on the museum’s part, and the exhibition is a wonderfully-broad church of great work.

Brit Insurance Designs of the Year

How they will pick a winner from such a wide selection (as they have decided they must, bafflingly) I don’t know. As The Telegraph points out:

“Showcasing 100 projects across seven categories, the exhibition has something of the quality of a jumble sale of the near future. The variety of material on display is hugely engaging, but quite how the jury – which is tasked with picking an overall winner as well as individual category winners – plans to assess the relative merits of a photo-shoot for John Galliano, a budget laptop for use in the third world and the principal stadium of the Beijing Olympics, remains something of a mystery.”

For me, the best thing about it is the breadth.

I don’t know about you, but I can’t think of a more exciting thing to go and see than “a jumble sale of the near-future”.

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Which am I?, originally uploaded by Jaypeg.

Also the way it’s staged: categorisations blur into each other in the space in a way they don’t in a book or a website. Is the Wii product or interaction? Is StreetCar transport or interaction? Is that signage solution architecture or graphics?

Do we really care?

I was particularly impressed to see things like the Congestion Charge and StreetCar included – although I imagine the former will be the source of some controversy – Jonathan Glancey is extremely annoyed about it, for instance… But – service design interventions in a city as a design of the year! More of this please!

And just to put the icing on the cake – and this will please many: Tenori-On is nominated…

Despite my love/hate relationship with the Design Museum over the years, they were nice enough to invite me to be on the panel of 100 nominators for the show, ostensibly nominating work for the ‘interactive’ category.

I’ll probably post my personal list of nominations later – not all of them made it (Okami will have to settle for it’s EDGE award…), but a gratifying number did, including Trulia Hindsight, SharkRunners and FixMyStreet.

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Graphics, originally uploaded by Jaypeg.

As Sigi Moeslinger pointed out in her talk at IxDA Interaction 08, web services aren’t the most compelling thing when shown in a museum context, and the design museum hasn’t really done them that proud unfortunately, but hopefully there will be some intrepid souls who are willing to poke at an iMac for an equal amount of time as sigh at a Hussein Chalayan gown.

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Dress, originally uploaded by Jaypeg.

There’s more at the CR Blog, but if you’re in London – do go. It’s a great show, and for me, marks the Design Museum as a progressive institution in the ascendant after some years in the wilderness.

—-
P.S.: Many thanks to Jaypeg for letting me use her excellent photos of the event.

Black Swan Green

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Black Swan Green, originally uploaded by blackbeltjones.

“It is inevitable that we will be massively blindsided by events, because our understanding is misled by an array of beguiling illusions about reality.”


Stewart Brand on Nassim Taleb, in his introduction to Taleb’s forthcoming Long Now [SALT] talk, entitled: “The Future Has Always Been Crazier Than We Thought”

RCA Design Interactions work-in-progress show

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Went to the as-per-usual-hectic opening last night and was knocked out to see such resolved and beautifully communicated work from everyone on the Design Interactions course.
In the past, the interim show work has struggled to make intangible and challenging concepts engaging – not this time.
Playful, clear and concrete stuff – well done all involved.

Giant things that blog

After the BLDGBLOG lecture at UCL last week, Mark, Russell, James and myself retired to the Malborough Arms for post-match analysis; and Russell dropped on us the fact that Roll-Royce’s jet engines are now prolific bloggers.

They twitter about what they are doing back home to Derby from wherever they are above the globe, 33000 feet up.

At the risk of sounding a bit like one of the guest publications on “Have I got news for you”, here’s a quote from Aviation Maintenance Magazine that Rusell found to back-up his pub-fact

“Engine diagnostics, and predictive analysis that our technical people are doing, feed into the operations control room, the hub of global fleet support for large engines, to see how they are performing, combined with flight log monitoring.”

The company is able to monitor 3,000 engines in real time, collating technical data streamed via satellite in flight.”

Of course, there must be an entire swathe of giant things that blog, and have been blogging since the dawn of telemetry; but it still seems faintly magical.

“The Earth is becoming unearthly” – Geoff Manaugh/BLDGBLOG at The Bartlett

Bldgblog
Bartlett
23.1.08

RAW NOTES:

Free software and access = no obligation so feeds enthusiasm ?like sunlight or vitamin c?
(He speaks very fast in a NE USA accent this is not going to be a transcript)

Archigram x Ballard x Philadelphia x depression x claustrophobia = start of bldgblog

A catalogue of enjoyment.

Changed his life.
> Map of climate zones in europe projected in europe 2071 from the guardian
How do design climate-appropriately for a rapidly changing climate? What is site-specificity in this dynamic context?

Geoff Manaugh/BLDGBLOG at The Bartlett

Refs “solastaglia” cf. Collision Detection (http://www.collisiondetection.net/mt/archives/2005/12/solastalgia.html) – climate-change melancholy. Losing a homeland without moving anywhere
Will future pharma companies sell you pill to combat climate change
Obsessed by the fact that the earth is becoming unearthly
Showing projected maps of the future coastline is in some senses “adventure tourism”
Be aware of the risks of showing these images – might be exciting rather than prohibitive

Geoff Manaugh/BLDGBLOG at The Bartlett

Quotes from “The Drowned World”
> Shows billboard architecture
Could climate change refugees be clinging to billboards on the hammersmith flyover?

Geoff Manaugh/BLDGBLOG at The Bartlett

> Battleship island, japan
http://en.wikipedia.org/wiki/Hashima_Island

> Bannermans island: private home of the world’s biggest arms dealer at the time of the spanish-american war

http://en.wikipedia.org/wiki/Bannerman’s_Castle

Geoff Manaugh/BLDGBLOG at The Bartlett

Rumour was that he used faulty cannons as rebar-the thoughts of turning weapons into architecture is exciting
> Island fortress of the coast of india
> Maunsell towers off whitstable – influence for archigram
http://en.wikipedia.org/wiki/Maunsell_Forts

Geoff Manaugh/BLDGBLOG at The Bartlett

Texas tower off the coast of new jersey – post-war
http://www.radomes.org/museum/documents/TexasTower.html

> Oilrigs by statoil
– Man standing on the seabed
Costs about the same as flat in downtown manhattan / camden designed by rogers
The premium offshore oil-rig market could be tapped into
Dubai terraforming
– The thing that you don’t realise is the scale
Dubai is very disappointing, very boring. Invest that much money and all you can come with is dumb homes for sports-stars? That much hubris, time, money and slave labour? And that?s all you come with? Islands in the shape of a palm tree?

> Artifical reefs – what if archigram had been active in this area?

Geoff Manaugh/BLDGBLOG at The Bartlett

– Looks remarkable looks like chinese armillary spheres- jesuit astronomy instruments
– The reef has a brand on it.
– In 300yrs when this is a “quote/unquote” a natural object – someone will find a logo.
– Sovereign control of undersea structures: there is a feature under the sea between china and japan. Japanese are cultivating coral in order to grow an island so that they can make the territory claim.
What do artificial islands imply for the future of sovereign territory: is the future of colonialism reef science?

George Perec: worms/table/epoxy
http://www.amazon.com/Life-Users-Manual-Georges-Perec/dp/0879237511
China Mieville: slow sculpture
http://books.guardian.co.uk/reviews/sciencefiction/0,,1312147,00.html
http://bldgblog.blogspot.com/2006/01/demolition-sculptures-or-sandblasting.html

The evolution of the landmass of north america >california is not solid ground – it is “the remnants of islands, former continents, lost indonesias”

Geoff Manaugh/BLDGBLOG at The Bartlett

Google Earth: Ron blakey geology maps
http://tinyurl.com/223rmr

San andreas fault is itself an assemblage of microfaults

Taipei 101 is activating the surface of the earth – causing minor tectonic faults – is it a long term weapon?

The interaction between architecture, weight and the earth’s surface could be further explored
The more people move to LA and build, the safer it will be to live there. The anti-taipei101. Pin the earth down.
We could be massaging the tension out of the earth surface with traffic.

A view to a kill – christopher walken and “terrestrial weaponisation”

Geoff Manaugh/BLDGBLOG at The Bartlett

US military: “Earthquake Array”

Geoff Manaugh/BLDGBLOG at The Bartlett

The us military is the real Archigram.

Modular, portable cities, temporary structures, flexible autonomous cities
Dungeon instancing/sharding: in WoW – what are the implications of that for architecture. If you had billions of dollars and very nimble stagehands you could perhaps achieve this effect in the physical world. If I walk into the same building 5 mins later to you? Is it the same?

Geoff Manaugh/BLDGBLOG at The Bartlett

Subterranea Brittanica
http://www.subbrit.org.uk/
Where have all the trapdoors gone? Why doesn?t pret-a-manger have trapdoors?
Border tunnels – hidden entrances in cargo containers on the border. Crosses through sovereign space into a store front in mexico. “The border is filigreed with this sort of thing. Landscape experiences that are not available to you if you are law-abiding”
Ground-penetrating radar – non invasive archeology

Geoff Manaugh/BLDGBLOG at The Bartlett

Underground cities could be faked? if you hack the GPR?
Biking under london from bethnal green to whitehall – in the 80s?
Urban exploration: burgeoning
Michael Cook/toronto: interview on bldgblog
http://bldgblog.blogspot.com/2007/08/drains-of-canada-interview-with-michael.html
Different tunnel technology sound different – you can almost sonically-navigate around

Geoff Manaugh/BLDGBLOG at The Bartlett

From underworld to offworld
Mars rovers are the landscape photographers of the future
The new landscapes of the sublime are off-world
Kim Stanley Robinson: comparative planetology is a new thought process for humans.
We’re exporting a earth-centric template onto the other.

Geoff Manaugh/BLDGBLOG at The Bartlett

> Columbia hills complex of mars of memorial sites for dead astronauts
http://www.msnbc.msn.com/id/4143223/
“Mars is becoming earth through our melancholy”
Mars analogue site is being constructed on earth: mars conditions and appearance.
We are making mars like earth and earth like mars, either deliberately on a small scale like this or accidentally on a large scale through climate change :

These are interesting times – “The Earth is becoming unearthly”

Top Secret Howies Project: more cowbell!

One project I’m doing that I haven’t written anything about yet is our Top Secret Howies Project, that isn’t a secret at all.
It’s going pretty well, and should be in the store very soon – just spent the afternoon with Henry and Russell, tinkering and discussing some of the niceties of the installation, in a kind of more genteel, smaller, slower version of “Scrapheap Challenge”.
With cake.
The pleasure of tinkering with a machine is something that I get quite a lot in software, especially in discussion with Boris, Tom, and Matt B., but to tinker in hardware and software (especially Meccano) is a rarer thing.
It seems to activate a way of thinking with the eye, the mind and the hand that is entirely natural, proving in practice some of the early chapters of Malcolm McCullough’s “Abstracting Craft”; and the playful problem-solving instincts of childhood come rushing back.
More of this in 2008 I think.