Two quotes for 2014

from Freedom by Daniel Suarez:

“Where ancient people believed in gods and devils that listened to their pleas and curses — in this age immortal entities hear us. Call them bots or spirits; there is no functional difference now. They surround us and through them word-forms become an unlock code that can trigger a blessing or a curse. Mankind created systems whose inter-reactions we could not fully understand, and the spirits we gathered have escaped from them into the land where they walk the earth—or the GPS grid, whichever you prefer. The spirit world overlaps the real one now, and our lives will never be the same.”

“But doesn’t this just spread mysticism? Lies, essentially?”

“You mean fairy tales? Yes, initially. But then, a lot of parents tell young children that there’s a Santa Claus. It’s easier than trying to explain the cultural significance of midwinter celebrations to a three-year-old. If false magic or a white lie about the god-monster in the mountain will get people to stop killing one another and learn, then the truth can wait. When the time is right, it can be replaced with a reverence for the scientific method.”

See also Julian Oliver’s talk. Again.

“…basically a small angry child”

“At 42 years old, Charlie Brooker is settling into his middle age, but in the world of current affairs, where few male presenters under 50 occupy top jobs, he’s basically a small angry child. At 66, Jon Snow is far closer to the likes of John Humphrys (70) and James Naughtie (62) at the Today programme, Jeremy Paxman (63) at Newsnight, Andrew Neil (64) at This Week and the Sunday Politics, or Question Time’s 75-year old David Dimbleby. The few female presenters on these shows are allowed – compelled even – to be under 50, but current affairs output remains dominated by 50- to 70-something white men. This even extends to the pundits – a very small proportion of panelists on Question Time are under 40, and those under 30 are treated virtually as cultural curiosities to be gawked at or patronised. Owen Jones’s TV career seems – through no fault of his own – to be predicated on the idea that by giving him a say, broadcasters have somehow ticked the ‘under 30’ box, as if one guy can somehow be the ‘voice of a generation’.”

From “How Jon Snow dissing the PlayStation 4 explains why no one cares you can’t afford a house”

I’m 42 in a few months.

Blog all dog-eared unpages: The Red Men by Matthew De Abaitua

I’d been recommended “The Red Men” by many.

Webb, Timo, Rod, Schulze, Bridle (who originally published it) all mentioned it in conversation monthly, and sometimes weekly as memetic tides of our work rose and fell into harmony with it.

The physical (red) book stared at me from a shelf until, recently, aptly it lept the fence into the digital, and was republished as an e-book.

This leap was prompted by the release of Shynola’s excellent short film – “Dr. Easy” – that brings to life the first chapter (or 9mins 41secs) of the book.

The Red Men resonates with everything.

Everything here on this site, everything I’ve written, everything I’ve done. Everything I’m doing.

In fact, “resonates” is the wrong word.

Shakes.

It shook me.

Read it.

My highlights, fwiw (with minimal-to-no spoilers) below:

“I wriggled my hand free of Iona’s grasp and checked my pulse. It was elevated. Her question came back to me: Daddy, why do people get mad? Well, my darling, drugs don’t help. And life can kick rationality out of you. You can be kneecapped right from the very beginning. Even little girls and boys your age are getting mad through bad love. When you are older, life falls short of your expectations, your dreams are picked up by fate, considered, and then dashed upon the rocks, and then you get mad. You just do. Your only salvation is to live for the dreams of others; the dreams of a child like you, my darling girl, my puppy pie, or the dreams of an employer, like Monad.”

“The body of the robot was designed by a subtle, calculating intelligence, with a yielding cover of soft natural materials to comfort us and a large but lightweight frame to acknowledge that it was inhuman. The robot was both parent and stranger: you wanted to lay your head against its chest, you wanted to beat it to death. When I hit my robot counsellor, its blue eyes held a fathomless love for humanity.”

“ugliness was a perk confined to management.”

“Positioning himself downwind of the shower-fresh hair of three young women, Raymond concentrated on matching the pace of this high velocity crowd. There were no beggars, no food vendors, no tourists, no confused old men, no old women pulling trolleys, no madmen berating the pavement, to slow them down; he walked in step with a demographically engineered London, a hand-picked public.”

“Over the next few days you will encounter more concepts and technology like this that you may find disturbing. If at any time you feel disorientated by Monad, please contact your supervisor immediately.’

‘How do you help him?’ ‘It’s about live analysis of opportunities. Anyone can do retrospective analysis. I crunch information at light speed so I’m hyper-responsive to changing global business conditions. Every whim or idea Harold has, I can follow it through. I chase every lead, and then I present back to him the ones which are most likely to bear fruit. I am both his personal assistant and, in some ways, his boss.’

“So long as the weirdness stayed under the aegis of a corporation, people would accept it.”

“Once you pass forty, your faculties recede every single day. New memories struggle to take hold and you are unable to assimilate novelty. Monad is novelty. Monad is the new new thing. Without career drugs, the future will overwhelm us, wave after wave after wave.’”

“No one has access to any code. I doubt we could understand it even if we did. All our IT department can offer is a kind of literary criticism.’

‘I can’t sleep. I stopped taking the lithium a while ago. Is this the mania again? Monad is a corporation teleported in from the future: discuss. Come on! You know, don’t you? You know and you’re not telling. I would have expected more protests. Anti-robot rallies, the machine wars, a resistance fighting for what it means to be human. No one cares, do they? Not even you. You’ll get up in the morning and play this message and it will be last thing you want to hear.’

“George Orwell wrote that after the age of thirty the great mass of human beings abandon individual ambition and live chiefly for others. I am one of that mass.”

“Plenty of comment had been passed on the matter, worrying over the philosophical and ethical issues arising from simulated peope, and it was filed along with the comment agitating about global warming, genetically modified food, nano-technology, cloning, xenotransplantation, artificial intelligence, superviruses and rogue nuclear fissile material.”

“His gaze raked to and fro across the view of the city, the unsettled nervous energy of a man whose diary is broken down into units of fifteen minutes.”

“This has been very useful. Send my office an invoice. Before I go, tell me, what is the new new thing?’ I answered immediately. ‘The Apocalypse. The lifting of the veil. The revelation.’ ‘Yes, of course.’ His coat was delivered to him. As he shuck it on, Spence indicated to the waiter that I was to continue to drink at his expense. ‘Still, the question we must all ask ourselves is this: what will we do if the Apocalypse does not show up?’”

“History had been gaining on us all year and that clear sunny morning in New York it finally pounced.”

“‘No. Advanced technology will be sold as magic because it’s too complicated for people to understand and so they must simply have faith in it.”

‘Every generation loses sight of its evolutionary imperative. By the end of the Sixties it was understood that the power of human consciousness must be squared if we were to ensure the survival of mankind. This project did not survive the Oil Crisis. When I first met you, you spoke of enlightenment. That project did not survive 9/11. With each of these failures, man sinks further into the quagmire of cynicism. My question is: do you still have any positive energy left in you?’

“‘My wife is pregnant,’ I replied. ‘My hope grows every day. It kicks and turns and hiccups.’ Spence did not like my reply. Stoker Snr took over the questioning. ‘We are not ready to hand the future over to someone else. Our window of opportunity is still open.’ He took out what looked like an inhaler for an asthmatic and took a blast of the drug. Something to freshen up his implants.”

‘Do you remember how you said to me that the Apocalypse was coming? The revelation. The great disclosure. You wanted change. It looked like it was going to be brands forever, media forever, house prices forever, a despoticism of mediocrity and well-fed banality. Well, Dr Easy is going to cure us all of that.’

‘We did some research on attitudes to Monad. We had replies like “insane”, “terrifying” and “impossible”. As one man said, “It all seems too fast and complex to get your head around. I’ve stopped reading the newspapers because they make every day feel like the end of the world.”’

‘What disturbs me is how representative that young man’s attitude is. Government exemplifies it. It has learnt the value of histrionics. It encourages the panic nation because a panicking man cannot think clearly. But we can’t just throw our hands up in the air and say, “Well, I can no longer make sense of this.” The age is not out of control. If you must be apocalyptic about it, then tell yourself that we are living after the end of the world.’

“The crenelations of its tower were visible from much of the town, a comforting symbol of the town’s parish past. Accurately capturing the circuit flowing between landscape and mind was crucial to the simulation.”

“He handed me a ceremonial wafer smeared with the spice. ‘We start by entering Leto’s communal dreamland.’ I looked with horror at the wafer. ‘This is ridiculous. I am not eating this.’ I handed the wafer back to him. He refused it. ‘I’m giving you a direct order. Take the drug!’ ‘This is not the military, Bruno. We work in technology and marketing.’ ‘We work in the future!’ screamed Bougas. ‘And this is how the future gets decided.’

“One of Monad’s biggest problems was its monopoly. To survive in the face of a suspicious government, the company went out of its way to pretend it had the problems and concerns of any other corporations, devising products and brands to fit in with capitalism.”

“Management wanted to talk so they dispatched a screen to wake me; it slithered under the bedroom door then glided on a cushion of air across the floor until it reached the wall where it stretched out into a large landscape format.”

“I understand why you work there. Why you collaborate with them. You have a family, you are suspended in a system that you didn’t create. But the excuse of good intentions is exhausted.”

‘You are afraid. There is a lot of fear around. Society is getting older. The old are more susceptible to fear. Fearful of losing all they have amassed and too old to hope for a better future. You’re still young. Don’t let the fear get inside you.’

‘The battle has been lost and all the good people have gone crazy. My surveys reveal a people pushed down just below the surface of what it means to be human. You exist down where the engines are. Damned to turn endlessly on the cycle of fear and desire. Should I push the fear button? Or should I pull the desire lever? Save me some time. Tell me which one works best on you.’

“Society had become a sick joke, a sleight-of-hand in which life was replaced with a cheap replica. Progress abandoned, novelty unleashed, spoils hoarded by the few. The temperature soared as the body politic fought a virus from the future.

“Dr Hard grabbed me by the hair and shook some sense into me. ‘Artificial intelligences are not programmed, Nelson. They are bred. My ancestor was an algorithm in a gene pool of other algorithms. It produced the best results and so passed on its sequence to the next generation. This evolution continued at light speed with innumerable intelligences being tested and discarded until a code was refined that was good enough. A billion murders went into my creation. Your mistake is to attribute individual motivation to me. I contain multitudes, and I don’t trust any of them.’

And, from the author’s afterword:

The novel was conceived as a hybrid of the modes of literary fiction with the ideas and plotting of science fiction. I wanted to use the characters and setting we associate with literary fiction to make the interpolation of futuristic technology more amusingly dissonant, as that was the character of the times as I experienced them.

Blog all dog-eared Unpages: Tubes: A Journey to the Center of the Internet by Andrew Blum

I really enjoyed Andrew’s book. I thought I knew about the structure (and structures) of the Internet, but this is is a detailed, critical and fun illumination which quickly proved me mistaken. It’s also a travel book, about an unreal place that spans/permeates real places, lives, spaces. And a wonderful one at that. Highly recommended.

(My emboldening below)

Everything you do online travels through a tube. Inside those tubes (by and large) are glass fibers. Inside those fibers is light. Encoded in that light is, increasingly, us. [Location 94]

The Internet is everywhere; the Internet is nowhere. But indubitably, as invisible as the logical might seem, its physical counterpart is always there. [Location 276]

TeleGeography in Washington was asking a computer science department in Denmark to show how it was connected to a university in Poland. It was like a spotlight in Scandinavia shining on twenty-five hundred different places around the world, and reporting back on the unique reflections. [Location 418]

You can demarcate a place on a map, pinpoint its latitude and longitude with global positioning satellites, and kick the very real dirt of its very real ground. But that’s inevitably going to be only half its story. The other half of the story comes from us, from the stories we tell about a place and our experience of it. [Location 485]

“If you brought a sophisticated customer into the data center and they saw how clean and pretty the place looked—and slick and cyberrific and awesome—it closed deals,” said Adelson. [Location 1211]

But it wasn’t the machine’s mystery or power that terrified Adams most. It was how clearly it signified a “break of continuity,” as he puts it. The dynamo declared that his life had now been lived in two different ages, the ancient and the modern. It made the world new. [Location 1826]

He counted off the zeros on the screen. “This point is the millisecond … this point is the microsecond … and this one is usually expressed as nanoseconds, or billionths of a second.” I mulled all the zeros on the screen for a moment. And when I looked up, everything was different. The cars rushing by outside on Highway 87 seemed filled with millions of computational processes per second—their radios, cell phones, watches, and GPSs buzzing inside of them. Everything around me looked alive in a new way: the desktop PCs, the LCD projector, the door locks, the fire alarms, and the desk lamps. [Location 2045]

Nearly universally, they wore black T-shirts and zip-up hooded sweatshirts, handy for spending long hours on the hard floor of the server rooms, facing the dry exhaust blast of an enormous router.[ocation 2378]

The Internet “cloud,” and even each piece of the cloud, was a real, specific place—an obvious reality that was only strange because of the instantaneity with which we constantly communicate with these places. [Location 3159]

The Internet had no master plan, and—aesthetically speaking—no master hand. There wasn’t an Isambard Kingdom Brunel—the Victorian engineer of Paddington Station and the Great Eastern cable ship—thinking grandly about the way all the pieces fit together, and celebrating their technological accomplishment at every opportunity. On the Internet there were only the places in between, places like this, trying to disappear [location 3183]

The emphasis wasn’t on the journey; the journey pretended not to exist. But obviously it did. [location 3186]

“Want to see how this shit really works?” he asked. “This has nothing to do with clouds. If you blew the ‘cloud’ away, you know what would be there?” Patchett asked. “This. This is the cloud. All of those buildings like this around the planet create the cloud. The cloud is a building. It works like a factory. Bits come in, they get massaged and put together in the right way, then packaged up and sent out. But everybody you see on this site has one job, that’s to keep these servers right here alive at all times.” [location 3268]

“If you lose rural America, you lose your infrastructure and your food. It’s incumbent for us to wire everybody, not just urban America. The 20 percent of the people living on 80 percent of the land will be left behind. Without what rural America provides to urban America, urban America couldn’t exist. And vice versa. We have this partnership.” [location 3299]

The UK needs a new age of STEAM, and the Ebacc won’t make it happen.

In the UK, the conservative government is trying to remove art and design subjects from the core of their new curriculum, the ‘EBacc’, which the Tories want to focus around readin’, ritin’ and ‘rithmetic.

This is, of course, pretty disastrous.

An age of STEAM – Science, Technology, Engineering, Art and Mathematics – (rather than just STEM) is what the UK needs to survive in the foothills of the 21stC. The PM David Cameron et al make a lot of noise about supporting “Tech City” etc., but without nurturing inventive thinking at early stages of kids educations, we won’t be able to compete against bigger and better resourced countries.

A friend of mine, Joe McCloud got a bunch of design firms to get behind a campaign against this – called “#includedesign” which you can read about here: http://includedesign.org/

I’m pleased to say our company, BERG is signed up.

I was contacted by a journalist from Dezeen with a couple of questions about the campaign, the importance of design teaching in secondary education etc.

Sir Jony Ive in the mean-time signed up to the campaign, so I imagine that was a bit more newsworthy, so understandably my answers weren’t used in the piece!

FWIW, I thought I would post my responses here:

1. Why do you think its important that design is taught in schools?

Three reasons to come to mind.

1) is brutal economics. Global competition for jobs, work, wealth means we as a small country need to out imagine the bigger ones. We’re good at that at the moment. Why not invest in that? We’re not going to ‘out-grammar’ or ‘out-times-table’ China or India. Art and design sharpen the imagination, even if you go on to to be a biologist or a banker. It’s beyond foolish to drop them. We need to invest in our Gross National Imagination to survive the 21stC.

2) is improving engagement in schools. I’m not a teacher but I think there is a halo effect from good design teaching that makes other subjects shine for kids.When I was a kid CDT (Craft Design and Technology) was the great leveller. I had great teachers. The nerdy kids and the tough kids did as well as each other – and stereotypes of how well you were meant to do broke down. That lead to kids breaking out of their pre-assigned paths to not-much, and got them enjoying education. Design education could be an engine of social mobility!

3) Being ready for the future. Most of the jobs we do every day at BERG hadn’t been invented when I was at school. Teaching design, making, and inventive thought at young ages will prepare kids for the jobs we can’t imagine now. With a bit of luck they’ll invent them.

2. What do you think will happen if the proposals to drop design become a reality?

I think a lot of people who wish it was still the 19th Century will be very happy – until they realise that they’ve undermined the UK’s place in the creation of business and culture for a generation.

Visit #includedesign, and if you can contribute your voice to the campaign, please do.

Long life / loose-fit / low ennui

Which is a pun headline that will only work for a very few people.

The critical writing that has gathered around my “city as battlesuit” post has gathered something like critical mass – and it’s way more interesting and better written than what I dashed out for io9.

Go read:

As for the ‘testosterone-fuelled technoptimism‘ aspects of my writing, well – it’s a fair cop. In my defense I was writing with limited time in a busy week for a science-fiction site, rather than for my critical theory phd advisor, so y’know.

Which is not to say that phds in critical theory are bad things either.

Gah.

So I guess what I’m trying to say is, I’m sorry if using the term ‘battlesuit’ seemed to trivialise war, the military, weaponry etc. all things I have no direct experience of – and hope never to experience.

This was not my intention. I was simply trying to use an attractive metaphor to grab people’s attention on a science fiction site trafficked by people as adolescent as me and get them interested in the critical discourse of clever people, like you.

The most important part of the sentence for me was ‘surviving the future’ – for which I still believe cities are the key.

This is why I stopped blogging, isn’t it.

And this is why Russell ends his posts with “anyway“.

Anyway.

Panpsych-OUT!

.flickr-photo { border: solid 2px #000000; }
.flickr-yourcomment { }
.flickr-frame { text-align: left; padding: 3px; }
.flickr-caption { font-size: 0.8em; margin-top: 0px; }



xspimetheory1, originally uploaded by brucesflickr.

I love Bruce Sterling’s fantastically lo-tech-halloween-Mayan-frightmask of spime theory.

However, he states:

“Look at the bottom of this theory object. You can see that I’ve killed off two very important ideas: Artificial Intelligence and panpsychism. Why did I get rid of those? Because they smell too science-fictional to me. I don’t think they have any real-world traction. I think they are superstition. I think they’re over and done.”

A few years back I raised the idea of a ‘digital spirit world’ being created by arphid-laden objects not being understood or transparent to end-users in a talk I gave at DesignEngaged.

As a subscriber to Clarke’s 3rd Law, I’m not sure superstition has ever been ‘over and done’ unfortunately.

Eloi vs Morlocks: Fictional Superspies Edition

When it comes to the people saving the Earth, or just the UK, or even just Cardiff from peril – don’t you want them to have a little more technical savvy, than, say a bored teenager?

Take a look at what alien crimefighters and Gallifreyan-crossword-anagram-answer, Torchwood are using:
Torchwood are Eloi

Despite being a shadowy paragovernmental agency entrusted with securing alien technology – they are most comfortable something that resembles a bad Web2.0 site, or a dodgy trillian skin at best. They’re your Hotmail friends! They’re the people who send you that Ok-Go treadmill YouTube clip four months after you saw it!

They’re Eloi! We’re doomed!!!

Reassuringly, good old Five are staffed with much more CLI-kinds of guys…

Spooks are Morlocks

The Spooks, unlike their colleagues at CTU (who seem to favour the 45 degree angled corners of professional flash design circa 2002) are strictly on the command-line tip with the odd snazzy-but-useful bit of hardcore datavis.

MORLOCKS, THANKFULLY!