Space is the place.

Excellent, excellent, excellent. Anne Galloway has started up a new blog devoted to space and culture, named: Space and Culture:

“My first and sustaining love is space and culture. My background is in anthropology and cross-cultural architecture, and I began my PhD specifically to study with my supervisor, Rob Shields.

Rob’s the editor of the academic journal Space and Culture, and while we redesign the web site, I thought we could start a Space and Culture Weblog. It will, of course, focus on all things spatial and cultural.”

It’s off to a good start, with BBJ faves Iain “Skateboarding and The City” Borden and Heckler + Coch already featuring… >>SUBSCRIBE<<

» http://www.spaceandculture.org/

Let slip the dogbots of war

BigDog_diag_pr_small.jpg
^ Diagram from DefenseTech

Gizmodo:

” The US Army is working on an Aibo-like robotic soldier dog designed to help carry some of the up to 100 pounds of gear that today’s soldiers are issued.”

Obligatory link to Patrick Farley’s Spiders. If you haven’t read it yet, do. Also, Natalie J’s feral robot dogs, which might well be the fate of misfit veteran dogbots; and my essaylette “Superpets last all autumn long”.

» Gizmodo: Aibo goes to war

“Now get out of that”

Boyd’s forest dragon grabs the top story slot on BBC News (World Edition):

“Climate change could drive a million of the world’s species to extinction as soon as 2050, a scientific study says.

The authors say in the journal Nature a study of six world regions suggested a quarter of animals and plants living on the land could be forced into oblivion.

They say cutting greenhouse gases and storing the main one, carbon dioxide, could save many species from vanishing.

The United Nations says the prospect is also a threat to the billions of people who rely on Nature for their survival. “

Over at diepunyhumans, Warren features a fascinating, concurrent event of some relevence. This coverage from BBC News also:

“Scientists are studying possible ways of using engineering to help the world to adapt to increasing climate change.

A conference in Cambridge, UK, has been convened to consider possible options while ignoring “political correctness”… The meeting, on 8 and 9 January, is entitled Macro-engineering Options For Climate Change Management And Mitigation.

One speaker is Professor James Lovelock, begetter of the Gaia Hypothesis, which holds that the Earth functions as a single organism which maintains the conditions necessary for its survival.”

Me, here, in May2002:

“we have moved into the stage where fixing the planet is a design problem.”

Greg Egan‘s awesome “Permutation City”, page 32:


Maria said, “Define ‘Butterfly Effect.'” A second window opened up in front of the news report:

Butterfly Effect: This term was coined by meteorologist Edward Lorenz in the late 1970s, to dramatize the futility of trying to make long-term weather forecasts. Lorem pointed out that meteorological systems were so sensitive to their initial conditions that a butterfly flapping its wings in Brazil could be enough to determine whether or not there was a tornado in Texas a month later. No computer model could ever include such minute details–so any attempt to forecast the weather more than a few days in advance was doomed to failure,

However, in the 1990s the term began to lose its original, pessimistic connotations. A number of researchers discovered that, although the effects of small, random influences made a chaotic system unpredictable, under certain conditions the same sensitivity could be deliberately exploited to steer the system in a chosen direction. The same kind of processes which magnified the flapping of butterflies’ wings into tornadoes could also magnify the effects of systematic intervention, allowing a degree of control out of all proportion to the energy expended.

The Butterfly Effect now commonly refers to the principle of controlling a chaotic system with minimum force, through a detailed knowledge of its dynamics. This technique has been applied in a number of fields, including chemical engineering, stock-market manipulation, fly-by-wire aeronautics, and the proposed ASEAN weather-control system. Operation Butterfly.

There was more, but Maria took the cue and switched back to the article.

Meteorologists envisage dotting the waters of the tropical western Pacific and the South China Sea with a grid of hundreds of thousands of “weather-control” rigs– solar-powered devices designed to alter the local temperature on demand by pumping water between different depths. Theoretical models suggest that a sufficient number of rigs, under elaborate computer control, could be used to influence large-scale weather patterns, “nudging ” them toward the least harmful of a number of finely balanced possible outcomes.

Eight different rig prototypes have been tested in the open ocean, but before engineers select one design for mass production, an extensive feasibility study will be conducted. Over a three-year-period, any potentially threatening typhoon will be analyzed by a computer model of the highest possible resolution, and the effects of various numbers and types of the as yet nonexistent rigs will be included in the model. If these simulations demonstrate that intervention could have yielded significant savings in life and property, ASEAN’s ministerial council will have to decide whether or not to spend the estimated sixty billion dollars required to make the system a reality. Other nations are observing the experiment with interest.

Maria leaned back from the screen, impressed. A computer model of the highest possible resolution. And they’d meant it, literally. They’d bought up all the number-crunching power on offer–paying a small fortune, but only a fraction of what it would have cost to buy the same hardware outright.

Nudging typhoons! Not yet, not in reality … but who could begrudge Operation Butterfly their brief monopoly, for such a grand experiment? Maria felt a vicarious thrill at the sheer scale of the endeavor–and then a mixture of guilt and resentment at being a mere bystander.

Look forward to seeing what the Cambridge conference [pdf] proposes. Hopefully the proceedings will be published on the web somewhere.

Professor John Schellnhuber, of the Tyndall Centre, told BBC News Online:

“Kyoto is in a very difficult position, and it may be necessary to find other exit strategies. We may find we’re in a cul-de-sac and have to think of other policies which transcend the protocol. But we must think about unconventional strategies in any case, because a back-of-envelope calculation shows we’re unlikely to do the job without them.”

There used to be a brilliant TV gameshow on UK telly in the early 80’s called “Now get out of that” in which two teams of boffins battled through traps and puzzles in the pouring rain; constructing ingenious Heath Robinson [wikipedia, image search] inventions until they ‘got out’ of their predictment.

Somehow this all reminds me of that show…

Silbo

Just caught a report about a language of the Canary Islands called “Silbo” on BBCWorld.

From an AP story late last year:

“Juan Cabello takes pride in not using a cell phone or the Internet to communicate. Instead, he puckers up and whistles.

Cabello is a “silbador,” until recently a dying breed on tiny, mountainous La Gomera, one of Spain’s Canary Islands off West Africa. Like his father and grandfather before him, Cabello, 50, knows “Silbo Gomero,” a language that’s whistled, not spoken, and can be heard more than two miles away.”

» UK Indymedia/AP: Ancient ‘Whistling Language’ Facing a Revival

More at BBC News Online:

“It’s practically a language in itself – just like Castilian Spanish – but it relies on tones rather than vowels and consonants,” Dr Rivero stated.

“The tones are whispered at different frequencies, using Spanish grammar. If we spoke English here, we’d use an English structure for whistling.

“It’s not just disjointed words – it flows, and you can have a proper conversation.”

Is Silbo just learned by doing, or has it got a notation that allows it to be recorded, passed-on and reproduced? Silbo doesn’t seem to feature in the Ethnologue – a catalogue of the 6,800 or so living languages on the planet. I wonder if there are other sung, whistled or signed languages which are not recorded.

Monkeymagic explains Heidegger

and hermeneutics. Off to bed now because my head hurts.

  • Heidegger brings hermeneutics from a theory of interpretation to a theory of existential understanding.
  • He argued that it was impossible for an interpreter to fully empathise with an author.
  • We continually develop and refine personal rules based on experience to help them navigate the world.
  • If we didn’t , we’d have to think objectively about situations all the time and this is enough to make anyone go back to bed for a year.
  • Sadly, the more we develop these rules, and the more experience we have, the harder it is to see something objectively.

This might be a stretch, but this reminded me a lot of the mental models designers and user-researchers attribute to people in their interaction with products or services.

I’m interested in how mental-models change with experience; and whether they are cumulative and crufty over a lifetime, or ‘paradigmic’ and can be disrupted by new technologies or social norms. I suspect the latter; and I’m sure someone can fill me in…

» Monkeymagic: Hermeneutics and how to interpret – I

AS Byatt on fairy tales

From Saturday’s guardian (I’m loving the digital edition, more on which another time.)

It’s a lovely read and no apologies for pulling out lots of quotes:

The interconnected world of the fairy tale:

“The best single description I know of the world of the fairy tale is that of Max Lüthi who describes it as an abstract world, full of discrete, interchangeable people, objects and incidents, all of which are isolated and are nevertheless interconnected, in a kind of web or network of two-dimensional meaning. Everything in the tales appears to happen entirely by chance – and this has the strange effect of making it appear that nothing happens by chance, that everything is fated.”

Fairy stories have rules:

“An all-important part of our response to the world of the tales is our instinctive sense that they have rules. There are things that can and can’t happen, will and won’t happen… Lüthi brilliantly compares the glittering mosaic of fairy tales to Hermann Hesse’s The Glass Bead Game. As a little girl I compared it in my mind to the pleasures of Ludo and Snakes and Ladders and Solitaire played with cards, in which only certain moves are possible and the restrictions are part of the pleasure. As an adult writer I think that my infant synapses grew like a maze of bramble-shoots into a grammar of narrative – part of the form of my neuronal web as linguistic grammars are – and mathematical forms.”

On Calvino, and the inifinties that can lie in finite rulespaces:

“Italo Calvino, in his lecture “Cybernetics and Ghosts”, makes the inevitable connection between storytelling and myth. He describes the storyteller of the tribe telling about the younger son getting lost in the forest: “He sees a light in the distance, he walks and walks; the fable unwinds from sentence to sentence, and where is it leading?” To a new apprehension which “suddenly appears and tears us to pieces, like the fangs of a man- eating witch. Through the forest of fairy tale the vibrancy of myth passes like a shudder of wind.” Calvino himself knew a great deal about the workings of the stopped-off, rule-constructed tale, but he also knew that it is haunted by the unmanageable, the vast and the dangerous.”

Finally, on the power of stories:

“We should beware of what stories can do to the way we put the world together. We live in a world very far from woods , castles, and gibbets. We live in a world of urban myths – alligators in sewers, grandmothers on car-roofs, and a burgeoning virtual world of gossip and storytelling, real and fantastic, on the web.”

I want to find out more about how we play with stories and why. Marina Warner’s book is something I’m going to be reading in January/February I hope.

Any other pointers?

» Guardian Review: AS Byatt: “Happy ever after”

Maestro screenshot

“You can create activities for the Rover cameras to take pictures at any target. The Downlink browser helps you plan the placement of each picture by drawing “footprints” over the pictures that we use to plan activities.”

Due to a slashdotting, there don’t seem to be any updates at the moment for data from Mars to look at, but there is an irc channel #maestro on irc.freenode.net where I imagine there will be announcements.

Via #maestro: the JPL planetary photolog for Mars.

Mars, please maestro!

2NN001EDN00CYL00P1502R000M1_350.jpg
^ Spirit’s eye view of Mars landing site. Image credit: NASA/JPL.

Spirit has succeeded where Beagle2 has faltered. Via /. I’ve found Maestro:

“NASA has released Maestro, a public version of the primary software tool used by scientists to operate the Mars Exploration Rovers from the Jet Propulsion Laboratory. Anyone can download Maestro for free from http://mars.telascience.org and use it to follow along with the rovers’ progress during the mission. You can use Maestro to view pictures from Mars in 2D and 3D and create simplified rover activity plans. During the mission, updates will be released for Maestro containing the latest images from Mars.”

Just downloaded it [via bitorrent! cool!], but haven’t played with it yet. Telepresence for the masses is a great idea to get people excited about NASA’s mission again; which of course they pioneered back with Sojourner [Carnegie Mellon Robot hall-of-fame page here, lego version here]. Maybe it’s the beginning of the grid-distributed telemetric exploration of space I mooted in “Why starfleet”.

“If Filmmakers Were Web Designers”

From Zeldman:

“Dear Mr Antonioni:

I recently screened your classic film, The Red Desert, starring Monica Vitti and Richard Harris. I have a problem with the way you used screen space. My theater’s screen is big and wide. It is capable of handling many actors at the same time. For instance, crowd scenes and battle scenes work well. But in your movie there are only a few actors — and many times they are pictured in one corner of the screen or another, against a stark minimalist background. This is a terrible waste of screen space.

Funny stuff. But then I don’t go to the cinema to pay my gas bill. Horses-for-courses. I have a feeling that my “If Post-Offices where like Cinemas” essay wouldn’t be nearly as amusing.

Plink’d-in

I’ve been plink’d.

Not really sure what to make of it. Being a thick designer, and despite numerous patient explanations by Foe; I’ve never really understood the “why” of FOAF. What it’s use or ornament actually is. What the point might be, beyond the usual quilt-making, that is.

I visit Plink after reading a couple of things about it this weekend, and by chance saw the name of someone I knew: Muttley, who also looked like he’d been dobbed-in* by others. In what sounds like a likely new-age tagline for the service – I found myself in a few clicks.

I felt unease, and a certain lack of control.

I was there not by my own choosing, but by dint of featuring in the FOAF of others. Good folk and good friends to be sure (Betteridj, Hammo, Phil… thanks I think!), but I still felt a bit funny about it. There didn’t seem on a quick inspection to be any information which would lead to immediate trouble, like email, but there was a picture of me (looking younger and skinnier, so that’s okay) so I guess it’s mostly harmless.

I still feel uneasy about it though – aside from getting onboard and embellishing my page or ignoring the thing, it seemed like I had few options. I know that some other social-quiltmakers offer little control ultimately; but I was invited to join them by my friends.

Which is the root of my unease I think. It felt like my friends 0wn3d my name.

Which I guess might be the point.

—-
* ‘dobbed-in’ erm… I dunno: squealed on I guess. Ask a brit.