Don’t build a beautiful website…

…build a beautiful part of the web, part 8967:

“Complaining about built-for-the-web content taking over the web, is like complaining about the cars when you’re trying to pogostick down the motorway.” – Ben Hammersley

Do we have a list yet of what makes something “web-native”? It’s something about ease-of-linkage-to-fundamental-blocks-of-meaning, “neighbourliness”, meshing with the web (as best you can) in terms of standards and protocols, being liberal about what you accept and rigorous about what you put out: both in terms of of data and some aspects of user-interface I suspect.

Not just “decorated-directories”, but “Turning your website inside-out” (- Simon Waldman, in the pub once).

More churning on this and why our designs fall between the two stools of reading text and reading hypertext too often… Brew, Brew, Barley, McGrew, Cuthbert, Dibble and Grump…

» BenHammersley.com: Unleash the bots

Late-binding

I wish life was late-binding. I think a lot of my projects are, deliberately.

“But [a] late-bound [language] has some deeper and more profound properties that include abilities to actually change the both the structure and metastructure of the language itself. Thus an important new idea can be assimilated into the constantly evolving process that is the system.

Another aspect of late-binding is the ability to change one’s mind about already instantiated structures that are already doing work. These can be changed automatically on the fly without harming the work they are already doing.” – Alan Kay

Lisa Rein has done a fantastic job of annotating and videoing Alan Kay’s inspirational ETCON keynote.

» On Lisa Rein’s Radar: Lisa Rein’s Tour Of Alan Kay’s Etech 2003 Presentation

Fooling all of the people, all of the time.

Matrix-franchise visual effects supervisor John Gaeta watches us wander into dreamland:

‘The subtleties of reality manipulation in your life are all around, and they’re becoming denser and more sophisticated and more intimidating every day,” Mr. Gaeta said. “I’ve often said that the visual effects technicians of today will be the social engineers of the future.”‘

» NYT: Bullet Time Again: The Wachowskis Reload [Reg. Reqd.]

Blimey… but…

Heavens-to-murgatroyd even. Purveyor of fine fictionsuits, Mr Warren Ellis namechecks me during a Slashdot interview in connection to a post I made about notions of “haecceity”.

That’s it… Ne plus ultra. I can retire to a farm. Surely.

Except of course, like anything vaguely-clever I’ve ever said, some one else said it first. In this case, as would be the statisically-satisfying default choice, it was Webb who first mentioned haecceity.

All apologies.

I’m very behind with everything, and work is taking a priority as we’re in the final push of design. Not much happening here on BBJ, and if you’ve sent me an email in the last two weeks, I’m still getting through them. Apologies. Hopefully the 1.21 gigawatts I’m about to apply to myself will get me back to the future sometime soon.

Making more morlocks

Andy Hertzfeld on Chandler:

“We have a commitment to lowering the bar for scripting by using a graphical front-end for scripting. The hard part of programming has traditionally been keeping the universe of possibilities in their head, but programming is actually pretty constrained. We want to have a graphic front-end to the script so that users don’t have to keep in their head all the vocabulary, all the verbs. (Audience interruption: Like Frox? A: Yeah, like Frox, which was a project I worked on a long time ago. I actually think of it more like Hypercard. It’s a shame that the state of the art is now 15 years old.) Users should be able to basically select things from menus to write scripts, instead of having to be a programmer.”

This is great. Downloaded Squeak and was taken-aback to see a shrinkwrapped copy of Hypercard at the Apple store last week… Correct me if I’m wrong, but here’s little or no “consumer”-friendly programming applications or langauages being offered, let alone pushed these days?

How can we work to drop the barriers to being a builder? Alan Kay referenced Seymour Papert in his talk and came up with this great line:

“point of view is worth 80 IQ points”

…in relation to idea that it’s far easier to learn how the world works by building models of it.

Mentioned the idea of B-Logo before, perhaps it’s time to think harder about it.

After all the BBC sponsored the development of a programming language once before…

“Over-strength, over-regulated and over here”

Two from the <a href=”http://www.ft.com/cb&#8221;Financial Times’ Creative Business section

John Howkins on intellectual property:

“There’s a dual problem. At the beginning of the creative process we want to scavenge without hindrance, picking up ideas from everywhere and re-working them. We want the public domain to be vast and to have the imagination’s equivalent of the ramblers’ right to roam. Then, as we shape our ideas, we want to claim them as our own and sell and license them to whoever will buy.”

FT Creative Business: Balancing right and reason: John Howkins

Howkins mentions an event on May 21st discussing such things, with anarchists and revolutionaries such as Lord Bell, Alan Yentob, and The Rt Hon Lord Heseltine CH. Expect fireworks!

Secondly, Patrick Barwise of the London Business School on PVRs, and the structural change wrought by technology on the media which has been discounted post-bubble:

“The first PVRs were launched in the US in 1999 by TiVo and ReplayTV, two Silicon Valley start-ups. The initial response was a lot of media hype, excitement among the digerati and some hysteria in the TV advertising world. Then the dotcom bubble burst, only about 17 people bought PVRs and everyone lost interest.

But there are three key facts about PVRs which mean the respite is only temporary.

First, once someone has lived with a PVR for more than a few days, they never go back to live TV and a VCR as their only means of time-shifting. This degree of commitment suggests PVRs will be hugely successful once more consumers understand the benefits’ essentially being able to watch what you want, when you want ? which are relevant to anyone with a TV, not just technology freaks.

Second, those who have adopted PVRs use them a lot. Estimates vary, but some studies suggest that as much as 70 per cent of their viewing is off the PVR rather than live. By contrast, in VCR households, only 1 per cent of viewing is time-shifted because it takes so much effort. And where someone watches a time-shifted programme, they tend to skip the commercials. Again, estimates vary but, typically, someone watching off the PVR skips half the commercials, usually more.

Third, PVRs are increasingly being incorporated into cable and satellite set-top boxes and marketed by platform owners such as EchoStar in the US and Canal Plus in France. US penetration is already close to 2 per cent and is forecast to reach 30 per cent within five years. With heavyweight marketing, word-of-mouth and, perhaps, lower prices, the market is poised for take-off.

There seems to be a received wisdom on the faliure of Tivo in the UK and by extension the PVR as a class of device which predominates at the moment amongst the Tristrams* of broadcasting. “Ding-dong, the timeshifting witch is dead”. Media planners are not so sanguine. The structural change of the last five years has been masked by the bust and the market data, but not the studies of actual use by actual people as is shown above.

Mike Tyson saved my arse

At EtCon. Editing the slides for the talk that James and I are going to give this afternoon about the use of ethonography to drive a social software project, the backlight on the screen of my powerbook suddenly gave out.

The tech support, http://techitsolutions.com at the conference saved my life. The gave me an old monitor for the night to connect as an external screen so I could continue working. The hero of the hour gave me his business card. Looked at it this morning, and his name is Mike Tyson.

Blimey.