My new favourite style of everything, as coined by Jonathan Glancey in his review of UN Studio’s Mercedes-Benz Museum:

What is difficult to grasp, until you have spent some time wandering around the building, is that this plan is far from being two-dimensional; instead, it curves and loops up and away from the floor in smooth concrete folds, twisting and turning in ways that makes floors become walls, and walls ceilings. The interior is, in fact, one fluid, continuously unfolding space.

More on computer-baroque soon, I hope.