Berrybites, and reality bites

Patrick, in comments to my early post about the effects of blackberries and other push e-mail devices, recounts his experience of a meeting where nine out of ten of the people present – well – weren’t:

“They would look up upon hearing a word they find interesting, then went right back into their text-messaging. Then during Q&A, one guy asked three questions in rapid succession (all of which pertained to topics we had already discussed in our presentation), then promptly went back to typing in his SK. After answering his questions in rather lengthy detail, the presenter (our Exec Creative Director) asked him whether or not we’ve addressed his concerns, he replied: “uh, more or less.” never once loosened his grip on his opium pipe.”

Was talking with Foe about this again tonight, and realised that of course, I have done the equivalent of this in meeting rooms that have wifi – checking my email, or attending to some other work, while being copresent, but not really concentrating on the content of the meeting. Is is again the effect of the tools? Having ‘prescence’ in buddy lists means you are available for chat or queries to others. Do we now think that it is enough to be ‘present’ in reality – available, but not concentrating – awaiting a call to participate rather than participating by default? Would we be more productive or creative and less stressed if we opted out of one ‘buddy list’ of prescence – perhaps even sometimes the physical prescence. Just be honest and say – “You know what? I shouldn’t be here if I’m not concentrating on this.”

I know that Joi Ito has written a lot about his thoughts on “m-time and p-time” before now – I really should go back and read it more thoroughly.

All of this thinking about berrybites and the technologies that create constant partial attention put me to mind of the first time I heard the phrase, on Neal Stephenson’s well page – and how much of the communication technology we think essential to productivity is nothing of the sort:

“Linda Stone, formerly of Apple and Microsoft, has coined the term “continuous partial attention” to describe life in the era of e-mail, instant messaging, cellphones, and other distractions. This curious feature of modern life poses a problem for a someone like me. Every productive thing that I do requires ALL my attention.

I cannot put it any better than Donald Knuth, who writes on his website, “Email is a wonderful thing for people whose role in life is to be on top of things. But not for me; my role is to be on the bottom of things. What I do takes long hours of studying and uninterruptible concentration. ”

Knuth also provides the following quote from Umberto Eco: “I don’t even have an e-mail address. I have reached an age where my main purpose is not to receive messages.”

One other thought – form factor.

Different form factors set up different spaces of interaction and particpation around them. Handhelds and laptops, while seeming quite different in form-factor – both create ‘private’ spaces for different reasons (size for handhelds, lids for laptops) which have similar impacts on the feeling of the social space around them.

I wonder what meetings feel like if the particpants are still connected but using devices with form-factors that create ‘semi-private/semi-public’ interaction spaces around them, e.g. tablet PCs. Does anyone have first-hand experience?

Practical Synasthesia

Alan Moore, interviewed:

"There’s an awful lot of synasthesia, I mean one of the greatest writers, a lot of the greatest writers, one of my favourites, Vladimir Nabakoff, he was a synasthetic…to him, the letter ‘O’ was white, the word ‘Moscow’ was green flecked with gold…olive green, flecked with gold. I can see that. And it’s a good thing to try and develop. Synasthesia is a great literary tool. You’ll be able to come up with perfect metaphors that are really striking and strange, because they maybe jump from one sense to another – try describing a smell in musical terms.


Actually, it can be quite easy. Also, it’s how we tend to do things anyway. They’ve just proven that – you know when Jilly Gordon gets on a roll on The Food Program and she’s talking about: “..it’s a kind of buttery, composty, tractory – I’m getting peat, I’m getting burning tyres…”. Now they’ve done tests – those people who describe the flavour and bouquet of wine, they’re not describing the flavour or the bouquet at all – they are synasthetically describing the colour. They’re taking visual cues. They did things where they’d put an odourless and tasteless colour agent into white wine to make it look like red wine, and then they’d note the kind of language the wine-tasters were using. When it was white wine they were using: “…buttery, new-mown hay”…you know, yellow, basically, was what they were saying, whereas when it was red wine they were saying: “…its wonderfully fruity, blackcurranty”…talking about red things. It’s synasthesia. It’s how a lot of our senses…I think synasthesia is probably a lot more common than the sensory aberration that it’s made out to be, and there’s probably a key there, somewhere, to how we sense everything. Synasthesia. There’s something there."

I hope so.

It would be wonderful to harness synasthesia in the UI of mobile devices. Going beyond multimedia output and multimodal interfaces – delivering meaning in Gladwellesque thin-slices of preattentive recognised patterns.

I’ve got about a month of my time in April to look into this at work. I’m thinking of looking at the Mindhackers, Damasio, Hiroshii Ishii, Ben(s) Fry and Schneiderman, and Ambient Devices as a start.

I’m very aware this is far from an exhaustive list; and moreover, it’s only the cognitive science / interface research worlds I’m thinking of so far.

I have a feeling, inspired by Alan Moore’s thoughts,  that looking into other fields of sensory endeavour might also be revealing: sculpture, painting, drama – or ritual, religious or otherwise – ways of constructing feelings and understanding through all our senses.

Ns_sensesIt it looks like we have at least 21 of them to play with…

With recent announcements of the increasing capabilites for new visual possibilites (Flash, SVG in Nokia mobiles) and coincident pronouncements on the constraining nature of the WIMP interface hangover into  the mobile context, I think it’s a good time to look into this.

Anyway – if you have any thoughts or contributions, or want to get in touch about the subject, leave me a comment, trackback or drop me a line to the usual address…

—-
See also, Abe Burmeister’s reflections on the seminal "Interface Culture" some 8 years on from the publication of Johnson’s book.

100 years of prototyping

Gene at Fredshouse.net – reflecting on Rem Koolhaas / IDEO’s Prada disappointments – does some expectation-setting around deploying tech beyond the desktop:

“I’m not surprised that Prada’s experience has been less than delightful. We did some large-scale demo systems and real-world user experiments in cooltown, and we discovered some serious challenges in deploying even relatively simple ubiquitous computing technologies.

…what seems straightforward to build and run in the lab, is an order of magnitude harder to make work in the world. Using wireless LAN? Count on interference. Using infrared? Count on sunlight and heat sources. Using RFID? Count on damaged tags and misreads. Using PDAs? Count on dead batteries, lost styli, frequent crashes, both the soft and hard (floor) kind. Oh, and everything will be obsolete or broken in a year or two, so count on plenty of ongoing support to keep things fresh and fun….

Ubicomp is hard, understanding people, context, and the world is hard, getting computers to handle everyday situations is hard, and expectations are set way too high. I used to say ubicomp was a ten-year problem; now I’m starting to think that it’s really a hundred-year problem.”

» Fredshouse.net: Prada epicenter revisited

Location, location, location

geowarchalk.gif

DigiPsychoGeoLudiLinkage:

  • In-Duce: Mogi, item hunt

    “What makes the game so exciting to me?

    • It uses the GPS in my phone, and that’s so cool.
    • It maps a virtual data layer onto Japan and brings a fresh new way to look at my map of Tokyo.
    • All the trips I make in the city are now randomized, as I will often divert a few hundred meters to go and collect an object around me. I get a chance to discover parts of the city that I ignored, a motivation to check out that parallel street I never took.

    You can try out Mogi’s web interface here, using username and passwd combo of “test, test” [Via many-2-many]

  • Heathcote says “Annotate the planet” with his geowanking meets Jet-Set Radio Future pirate RFID-spraycan crews: “rdf as barcodes, and geowarchalking”
  • Technology for strangers: from the wonderfully-unorthdox Angermann2

Which leads me to one of my current (many) disillusionments (is this a word?) hungover from EtCon – since when does all this social software stuff have to be about bleedin’ friends? What about cooperation between strangers…

Tuna on your pizza?

39GI0172.jpg
Went to get a pizza on my way home, and sat in the booby chair in pizza restaurants where you wait alone for your take-out pizza, while all around you laugh with their loved ones.

I surrended to the in-restaurant sound system, took out my earphones, ritually-wrapped them around my iPod and put it down on the table in front of me.

The secret sign had been deployed.
Read More »

Things that tell you stories

Foe is at Digital ID World in Denver, and a talk there on RFID has inspired her to some wonderful speculation about the social life of objects:

“Imagine a book that can say ‘I have been read by 36 people before you – in 3 cities (London, Sydney and Helsinki) – and all of them paused on page 132. I once spent 5 days in the lift at the British Library, just travelling up and down, after being released by a BookCrosser.’”

In a brief IM-exchange with Paul about the idea, he remarked that “its so easy to get hung up on the negative aspects of RFID”. Perhaps because we hear so very few imaginative or empowering scenarios such as this one.

Imagine a picture of Neal Stephenson

here.

I had a couple from a Q&A and signing of Quicksilver [wiki] he did tonight in London. I had a sound file of him answering a question I asked of him regarding “In the beginning was the command line”. I captured both the images and the sound on my phone.

Which has now just reformatted itself.

No-one reading this really needs a newsflash along the lines of “gosh, phones are complicated these days”, but still it seems unacceptable that your phone can crash. That your phone can wipe itself.

We are more forgiving of our PCs, as, while the data they hold or the tasks they enable may be crucial – in general they inhabit a far less intimate and personal place in our lives.

As our phones become not only repositories of contact details, but of images, sounds and memories (of, oh, meeting a favourite author perhaps); that position will only consolidate. And increase the burden of reliability placed upon them in turn.

That reliability need not just be measured in uptime or how robust the hardware is; it could be something as simple as improving the interface design around tasks such as capturing media. To not only ease the process of capture, but also ensure the safety of ones memories. Digital camera interfaces, while imperfect in many ways make sure that even novices know how many pictures can safely still be captured at any point on the device’s memory.

My P800 does not do even this*. Had it alerted me, I maybe would have deleted some drunken pictures of my mate’s shoes to capture a picture of one of my literary heroes. Now I have lost the lot. Drunken shoes, hero-author and pictures of where I proposed.

The irony of all this of course is my question to Stephenson was about the Eloi and the Morlocks as referenced in his “In the beginning was the command line” essay, and whether he thought the situation for the technologically-baffled Eloi of this world was worsening.

His answer was: yes, it’s getting worse.

This Eloi can only nod his head in between banging it on the keyboard.

##THUD##

OFVJAB

##THUD##

AVFQIW

##THUD##

ITHGTOU

Damn.

Always-on redux

Fabio Sergio reprises some favourite themes of his after they were given a Rheingold-remix:

“We all know that most choices are not devoid of strong economical implications, and that the role of any type of currency, especially when social in nature, can make or break the hypothetical ‘freedom’ we are told to be enjoying in the western world. If everyone else will be instantly available, all the time, will it be culturally acceptable not to be? Within certain social circles is it even acceptable today? I can assure you that for most European teen-agers not having a mobile phone is akin to not having a car in the US…”

Worth a read, if you believe discussion of a culture can’t be made without discussion of it’s tools.

Bleakly, tangentially related quote of the day:

“I watch every day what you are doing as a society. While you sit by and watch your Constitution being torn away from you, you willfully eat poisoned food, buy manufactured products no one needs and turn an uncaring eye away from millions of people suffering and dying all around you. Is this the “Universal Law” you subscribe to?

Perhaps I should let you all in on a little secret. No one likes you in the future.”

From the literally fantastic Johntitor.com, which Lee pointed me too. That last line has been playing on my mind all day, and probably will for a long while…

The forbidden zone

Architecture has, throughout history, encoded manners, customs and law into physical space. Now it extends its influence into the digital.

“Icebergs Systems is beta-testing Safe Haven, a combination of hardware transmitters and a small piece of control software that is loaded into a camera phone handset. When the handset is taken into a room or building containing the Safe Haven hardware, the phone is instructed to deactivate the imaging systems. The systems are reactivated as soon as the handset is out of range.”

&#187 Picturephoning.com: ‘Safe’ zones blocks picture phones

Tricorders

Combine these two:

  • The Age: Deriving images of lives in Melbourne [thanks to Margaret for sending that]

    “An experimental art work at Melbourne’s Australian Centre for the Moving Image is turning ordinary people into multimedia artists.

    The combined exhibition and authoring engine, called D3, which allows users to produce their own animated tour of the city, is proving a hit with visitors.

    Once the piece, called a ‘Derive’, is completed, it can be stored for later use; its makers hope they will be available this year. Inspired as it is by the writings of situationist philosopher Guy Debord, D3 is somewhat abstract, with the images managing to be both familiar and strange – photographs of parts of buildings, graffiti and piles of discarded objects – and the words are what Debord himself would call “pleasingly vague – car, backpacker, why, heavy and so on”.”

  • Smartmobs: SenSay, a ‘Context-Aware’ Cell Phone

    “The SenSay system uses four primary sensors: a microphone to pick up the user’s voice, another to monitor noise around the user, a light sensor and an accelerometer.”

I like the idea of a personal sensing device… a passive tricorder that can use its impression of the environment around you to adjust it’s user experience, or to create a platform to communicate a specific story, moment, thought or feeling that can’t possibly be separated from the place you are when you have it.

A sharer of haeccity.