Happiness machines

“To many in both politics and business, the triumph of the self is the ultimate expression of democracy, where power has finally moved to the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and sometimes controversial story of the growth of the mass-consumer society in Britain and the United States. How was the all-consuming self created, by whom, and in whose interests?

Sigmund Freud’s work into the bubbling and murky world of the subconscious changed the world. By introducing a technique to probe the unconscious mind, Freud provided useful tools for understanding the secret desires of the masses. Unwittingly, his work served as the precursor to a world full of political spin doctors, marketing moguls, and society’s belief that the pursuit of satisfaction and happiness is man’s ultimate goal.”

A fantastic series, and unfortunately not available on bittorrent… First watched this in parallel to reading The Filth, which was a helluva combo.

» BBC Four: The century of the self

EnoQuest#3: Day 3, and it’s done…

The man himself posts in the comments:

“This was too easy! You should have tried a Mongolian goatherd or a Republican Senator instead of me. We’re probably in too-similar worlds.

Steven Johnson mentioned your site to me – so that’s only two degrees of separation.

My suggestion is that you keep quiet about the fact that I’ve made contact and see if anyone else comes up with a more circuitous and interesting route.”

Heh.

Half-baked thought: the goal of all the ‘Sters is to collapse our social web to a surveyable size, bringing our friends and connections close enough to see beyond them to new people. A little like glancing over the shoulder of someone you’re talking to at a party in order to see who’s coming through the door.

The picturesque and playful exploring of our social connections is sacrificed. The mathematics of coincidence are intruding on the delusions we enjoyed every time we exclaimed to a new acquaintance the reassuring cliche “what a small world!”.

Where’s the business model in social networks? The same as email and other generators of information overload: the new luxury of meaning. I will pay to sustain the space, the silence and the signal. Give me privacy and anonymity, but also possibility. Extend my connections, but don’t collapse them. Jason Kottke’s satirical job advert for such social network concierge services could be answered one day, as he suggests, by an arms-race of web apps or software agents at a price.

The republican senator and the mongolian goatherd that Eno mentions have the same luxurious, unobtainable high-ground at the lip of the connectivity well, for very different reasons.

The money and the privilege give the benefits of access without the overload. Those down in the connectivity well will pay for a short trip up into the weightless, noiseless luxury world of the goatherd/billionaire like we do expensive spa weekends or wilderness trips.

Or when we bore of our “too similar worlds” we’ll swap identities and networks for a while – for picturesque experience of other uncollapsed networks, connections and the possibilities they bring. A student at the RCA based his “identity tourism” project on the statistic that 70% (I think) of us lie about what we do when a stranger on an airplane asks us. Playing dress-up is pretty profitable in the real-world as it is.

But I digress.

The final goal of sitting down for a nice milk stout with the man has yet to be accomplished, but EnoQuest is done; with a nice three-act structure at ridiculous internetweb social-singularity-speed.

Big thanks to Steven Johnson, and everyone who joined in.

EnoQuest #2: Day Two…

And I have five leads:

  1. Some access to previously privileged knowledge: the name and phone number of his agent from someone who read this blog and has a big red book for agents of the rich and famous.
  2. A two-degrees connection from someone I work with, perhaps
  3. A possible two-degree connection from noted flaneur and esotericist Dan Hill.
  4. A tenuous four-degree connection from Kim P
  5. A tantalising IM me” from Euan.

Some promising stuff, and a lot of background material from others in comments – thanks!

For some reason phoning his agent seems like cheating, and certainly not the stuff that social network visionquests are made of. Plenty of room still for your suggestions…

EnoQuest #1: six degrees of Brian Eno

I want to talk to Brian Eno.

Do you know him? Do you know someone who knows him? Do you know someone who knows someone who knows him? In theory, it’s very likely.

I want to sit down and talk to him within the next 2 months.

If I’m successful all of these social software theories will have had some real pay off for me finally – and hey, maybe I can sell the story to Dave Gorman.

I will let you know how it goes.

Happy Strayleearr Day!

harrysfloater.jpg

It’s Australia Day, and pictured is one of that country’s greatest achievements: Harry’s Floater pie, from Harry’s Cafe De Wheels. The floater is a meat pie with it’s top taken off, replaced with fluffy mashed potato formed into a crater, and filled with gravy and mushy peas.

Thanks to Eric Scheid of the awesome IAwiki for showing me the pastry nirvana that is Harry’s at Wooloomooloo.

Some other fantastic Australian things:

Foe has a more poetic commemoration of Australia Day over at her place

A pound of art

Warren Ellis on his Bad Signal mailing list [my emphasis]:

“As of right now, there are 5400 people on the Bad Signal.
If all of you went to www.e-sheep.com and paid a lousy 25 cents to read a Patrick Farley comic, he would instantly become the best-paid serial creator in indie comics. If half of you went, he’s still be doing pretty well, probably constituting a pro rate for the work he’s doing. For twenty-five cents, microcasting work to an online audience of less than 3000 people would give him a shot at a living gig. Expand that out. Even 25 cents for an mp3 multiplied by half the readership of Bad Signal would mean that that musician is doing better than 90% of professional musicians — that is, earning more than US$600 a month. Seriously.

In fact, to support four artists you like, all you’d have to do is put aside an entire dollar a month to buy their art. And tell your friends.”

I guess this is the telling my friends part. Warren makes a good side-point about the use of tribe.net or other social-network services as markets for what he calls “microcasting” of creative work. There’s probably something to be learnt / crosspollinated from the creative networks around MMORPGs, but I’m not sure what. Anyway – go give Patrick Farley some money…