People making places

People make places @ Demos

Just wandered tonight along to Demos for the launch of their “People make places” report. A skim on the bus home made it seem the sort of thing I would like the Dan Hills and Anne Galloways of the world to have a look at…:

“The rise of privately owned corporate malls, out-of-town shopping centres and the virtual landscapes of the internet have cast doubt on the publicness of our towns and cities. Privatised space is seen to be in the ascendancy and, it is argued, this is squeezing out the possibility of shared social spaces in our cities, replacing them with a ‘shopping mall culture’ of sanitised, frictionless consumer environments where architecture and technology are used to filter out undesirable people and groups. So far it is unclear whether the new set of public spaces created through the urban renaissance are countering this trend and proving effective hosts for shared public life and exchange between people, or whether they are adding to the loss of publicness by imitating the character of private space. Many of the shiny new quaysides and squares seem either curiously empty of people or curiously monocultural in the type of people they attract.

The mission of Demos over the past 12 months has been to take on this uncertainty and track down the public life of cities – to identify the shared spaces of interaction and exchange, the value that such spaces generate and how that value is created. We explored in depth three cities in the UK – Cardiff, Preston and Swindon – to discover and illuminate the processes by which the public life of cities more widely might be reinvigorated.”

I arrived a little late as I only read about the event on the train back from Farnborough, so I don’t know whether it was covered before I got there, but there was little on the effects of digital technology, particularly personal, mobile digital technology on the use of public space. The debate wasn’t all that, although Greyworld were exciting – pointing out the role of play and playful technologies in invigorating and maintaining public spaces.

There’s a small mention of the venerable grassroots geoguide Knowhere in the report, but otherwise very little investigation it seems (again, I haven’t read it in great depth yet) of the impacts of digital technology.

There is a tantalising section heading: “Visible and invisible choreography” on page 62 of the report [PDF], with a brief mention of NYC’s “311” phone line as a concrete example – but nothing about pershaps, how space and place can be ‘reprogrammed’ smartmobs-style by mobile technologies, or how invisible infrastructures can change a place, e.g. free wifi in Bryant Park. I’m sure there are better examples, but hopefully you get my drift (derive?)

Worth a read, and as I say, I hope some of the more hardcore cyburbanists I know will offer their 2p…

Katrina and Bruce

As Hurricane Katrina makes ‘landfall’, this from the Viridian Design mailing list’s Bruce Sterling:

In the meantime, however, humanity’s incapacity to recognize and deal with its own peril is becoming eerie. And hilarious. Granted, this situation is not going to feel all chucklesome if you’re shivering in the New Orleans Superdome while its parking lots sink underwater, but that awesome mayhem is just the Southern Gothic version of our planet’s rapidly increasing woes. Here comes America’s worst storm ever, yet nobody on this plethora of satellites whispers the obvious: “climate change.” It’s catastrophic. It’s also surreal. A perfect placement for science fiction as political satire.

Watching the CNN coverage is surreal, he’s right.

They are covering it like a sports event – and inventing a psuedoscientific argot of catastophe as they go along: “wobble factor”, “cone of possibility” etc.

Wierd.

—-
Update: AD calls out BS on his apparent glee.

Hard to beat

Hard to beat

It’s taken a while this year for there to be a ‘sound of the summer’, but for me it’s got to be Hard-Fi’s “Hard to Beat”: poppy, danceable, tough, rough and sweet – with an obligatory reference to ‘rocking the city‘:

Can you feel it?
Rocking the city,
Ah yeah,
Straight out of nowhere-ness,
Like a fist,
Can’t resist you, oh no

Winner.

Repair culture

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Jan Chipchase, a colleague of mine in user-research at Nokia has started a new blog called ‘Future Perfect’, wherein he posts snippets of his experiences travelling the globe studying the use of technology.

Jan has a great eye for the unexpected detail in the everyday, which makes him fantastic to work with as a designer, and will be fabulous to read has his blog develops.

From this post on the culture of mobile phone repair shops in India (where he took the excellent photo above):

“a lot of the hyperbole surrounding western hacker culture makes me smile compared to what these guys are doing day in day out.”

Meatspace is the place

From a blistering K-punk on Live8 (which includes a reference to “Teleo-Marxism”- awesome!), comes a line that I plan to pull out of it’s current K-punkian context and transplant to the field of tangible/embodied interaction design to drop as much as possible:

“In addition to anything else, to ignore the crucial functioning of the meat in the machine is poor cybernetics.”


I want to be invited to a college design crit as soon as possible just to be able to say that.

The power of nightmares – to shape architecture

Freedom Tower designs by David Child - from the NYT

Via greg.org, Nicolai Ourousoff on the compromised, redesigned “Freedom Tower” in the New York Times (reg. reqd.)

“…if this is a potentially fascinating work of architecture, it is, sadly, fascinating in the way that Albert Speer’s architectural nightmares were fascinating: as expressions of the values of a particular time and era. The Freedom Tower embodies, in its way, a world shaped by fear.”

The original design, with it’s open-air structural crown dissolving into the sky was a fairly poetic commemoration of what happened in NYC on the 11th of September. As poetic and hopeful as commercial architecture tends to get, anyway.

It reminded me (and others) of Jean Nouvel’s unbuilt “Tour sans fin” – itself a product of a different, hubristic hopeful time.

Jean Nouvel's unbuilt Tour Sans Fin, La Defense, Paris

Jonathan Glancey on Nouvel’s Tower in pre-war-on-nouns May 2001:

“we could learn much from Nouvel’s unbuilt project: how to build heavenwards without being lumpen or incurring the wrath of God. “

Nouvel himself, happily, seems to still be preserving the spirit of those times. Dina Mehta writes of his self-curated show of work: “The Louisiana Manifesto” at Worldchanging – from which this quote:

“Instead of the archaic architectural goal of domination, of making a permanent mark, today we should prefer to seek the pleasure of living somewhere.

Let us remember that architecture can also be an instrument of oppression, a tool for conditioning behaviour.

Let us never permit anyone to censure this pursuit of pleasure, especially in the domain of the familiar and intimate that is so necessary to our wellbeing.

Let us identify ourselves.”

This new “Freedom Tower” as Ourousoff points out, does not seem to identify the vibrant resilience of New Yorkers and NYC itself, as much as the psychopathologies of its political classes.

P.s.: See also Deyan Sudjic’s “The Edifice Complex”

The music of “The Power of Nightmares”

Found at http://www.bbc.co.uk/nightmares, and cut/pasted here for my future reference more than anything else:

John Carpenter – The theme from The Prince of Darkness – the 1987 movie. Plus the repetitive piano bit from Halloween in the haunted house.

Brian Eno – From Another Green World – Big Ship – and In Dark Trees

Charles Ives – Symphony number two – 5th movement. Putnam’s Camp from Three Places in New England. Plus a bit from Central Park in the Dark

Ennio Morricone – Theme from the 1970 film Investigation of a Citizen Above Suspicion And a Morricone piece from the 1980 Pontecorvo film Ogro

Shostakovich – Lyric waltz from the Ballet Suite No 1 and a bit from The Young Lady and the Hooligan

John Barry – The Ipcress File

Soundtrack to The Voyage to the Bottom of the Sea – Paul Sawtell and Jerry Goldsmith

Colours by Donovan

Baby It’s Cold Outside – the 1949 version by Johnny Mercer and Margaret Whiting

The best noises come from Skinned – which is a whole lot of samples from the archives of the band Skinny Puppy

Also, all three episodes in streaming realplayer format can be found here – found via Arthur magazine, which also links from its blog, Magpie, a Village Voice piece by the author of the films, Adam Curtis.

Stupid 20th Century Crap: The D & AD

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Stupid 20th Century Crap (the militaryindustrialcomplex, fast food, the petroleum economy, Cliff Richard) will haunt us for hundreds of years. But we can stop some of it now if we work hard at it.

I just did my bit by posting this in the feedback form of a very 20th Century brokenated website of a very 20th Century organisation promoting a very 20th century notion of design.

“Why create a link saying ‘book tickets’ only to link to a PDF? 1995 called, they want their internet back.

Then again, your notions of design authorship and superstardom are so thoroughly 20th Century perhaps this is to be expected. Icons? Puhleaze.”

Frank Nuovo is the head of design at Nokia of course – but vast teams of people contribute to the design of technology.

The D&AD is just propegating a myth of solo superstar design authorship to an audience that wants to believe. I have a big head of ranty steam built up about this, and the Hillary Cottam nonsense that I need to vent really, really soon.