I have just watched the most important movie of the early 21st century
It’s name is Loony Tunes: Back in Action.
Everything is in there – it’s a knockabout satire of late captialism and it’s entertainments, and it’s a visual essay on the magical nature of our fictions and our technologies as we enter the rapture of the spectacle. Or something. So, so now!
And it’s got Duck Dodgers.
“Two thumbs up”- M. McLuhan
“I dug it, fully” – G. Deleuze
“Whoa! Basta! That f**cking ruled!” – U. Eco
From Matthew Thomas’ post “Why Free Software usability tends to suck”:
“The practice of releasing early, releasing often frequently causes severe damage to the interface. When a feature is incomplete, buggy, or slow, people get used to the incompleteness, or introduce preferences to cope with the bugginess or slowness. Then when the feature is finished, people complain about the completeness or try to retain the preferences. Similarly, when something has an inefficient design, people get used to the inefficiency, and complain when it becomes efficient. As a result, more user preferences get added, making the interface worse.”
[Found via Phil]
An advert for energy megacorp Areva rips off Royksopp’s video for “Remind Me” which excited us so a while back.
Except it can’t be a ripoff if it’s directed/created by the same team who did the original video. Right?
No mention in the behind-the-scenes supporting Areva website [where you can also watch the advert] if the ad execs phoned up and said “we want one of those Scandopop infographic epics for our energy corporation spot” – somewhat unsuprisingly.
Also nice to see yellowcake on TV again. A little French subversion slipped in there? Are these ad-agents provocateurs?
Great Douglas Adams quote found at Helmintholog:
“Of course, we dont have real intelligence cracked – it’s a bit like Zeno’s paradox: we get closer and closer to the actual business of language, without ever reaching it. Like sawing someone in half: considered as a medical problem, it is very very difficult indeed. But if you just want to convince a large audience that you have sawn a lady in half in a cabinet – that’s easy.
I say that we really want to be fooled, and that is the secret of persuading people that we have found artificial intelligence. Even very stupid bots can appear intelligent if they are acting in accord with our preconceptions. “
Reflecting on Nokia Lifeblog, Jeremy Bushnell’s Raccoon blog quotes Rudy Rucker in Mondo2000:
“I want to have my life’s work on a CD with an access system that can call up any part of it, key on it with a cursor, and then go out into my journals, see what was happening, or get into my essays, see what I was doing then or find other stories that used a particular item and have it all be totally seamless … I’m trying to merge my life with my fiction and essentially create a word model of my consciousness.”
Two related Grant Morrison quotes on merging with fiction:
“As you read, the complete human archive – films and diaries and paintings and newspapers, recipes and family photos, abstracted to strings of ones and zeroes – is undergoing a steady, discreet conversion into digital data. Our entire cultural record, available in every home, via the telephone, direct to the screen, making History as convenient as the local 24-hour cornershop.
I submit that, just as the sailing ships of the Mediterranean empires opened the doors to the New World, just as space shuttles ferry our astronauts to the foothills of the infinite, so are our computers prototype time travel engines. The technology may be gumming a rusk but steps to develop the undefiled landscapes of our foremothers and fathers are already being taken. A computer, a digital camera, a modem, some Photoshop packages: all youll need to plan your own holiday in All Our Yesterdays. Think of Tom Hanks in Forrest Gump, schmoozing LBJ, Lennon and Bobby Kennedy. Think of the young Dennis Hopper shanghaied into a car ad by his older, more cynical self. Think, above all, of the potential ;wearing our own cut-and-pasted images like spacesuits, we can freefall into the picture libraries of the past and party with the dead.” – source
And…
“Not ALL of our fictions are becoming realities, only those memetically-engineered to do so by experts like myself and Snoop Dogg.” – source
Again for the psychogeographically-inclined, The Spool reports that the latest issue of London-focussed writing and photography mag Smoke, number 3, has been published.
“And I will realise that this clue to her tribe is a big sign of what’s going on, and I will start to see all the tribes that this city is pulling together in its detritus of street signs, high-rise window boxes and discarded elastic bands. And I will start to look at pinstripe men with briefcases and stare at them on trains watching them become high-rank druids with cartoon robes but arcane and serious expressions.”
[Notes on the Exercise of the Derive, Sam Geall]
Prompted by conversations last night with Marko about Steely Dan, I listened to some this morning on the way into work, and my state of ‘zeitgeist distance’ at the moment was elegantly reflected back to me all the way from 1972.
You been tellin’ me you’re a genius
Since you were seventeen
In all the time I’ve known you
I still don’t know what you mean
The weekend at the college
Didn’t turn out like you planned
The things that pass for knowledge
I can’t understand
College, knowledge, campus, hippos… Had a great, though brief, conversation last night with Sanjay Khanna about the importance of forgetting, which led me to dig out some wikipedia stuff on the brain.
From the entry on the hippocampus:
“There is some controversy in psychology and the neurosciences about the precise role of the hippocampus, but it is generally agreed that it is essential for the formation of new memories about personally experienced events (episodic or autobiographical memory). Some researchers prefer to think of the hippocampus as part of a larger medial temporal lobe memory system responsible for general declarative memory (memories which can be explicitly verbalized – these would include e.g., memory for facts in addition to episiodic memory).
There is some evidence that, although these forms of memory often last a lifetime, the hippocampus ceases to be crucial for the retention of the memory after a period of consolidation. Damage to the hippocampus usually results in profound difficulties in forming new memories (anterograde amnesia), and normally also affects access to memories prior to the damage (retrograde amnesia). Although the retrograde effect normally extends some years prior to the brain damage, in some cases older memories are spared – it is this sparing of older memories which leads to the idea that consolidation over time involves the transfer of memories out of the hippocampus to other parts of the brain.”
When Nokia announced Lifeblog, Anne Galloway juxtaposed it against the idea of “forgetting machines”. If our life recording devices are ‘outboard-hippocampi’ then perhaps balance and consolidation processes are the natural progressions.
Hopefully Anne will reveal more about her “forgetting machine” in due course.
One other gem for the psychogeographically-inclined from the wikipedia entry on the hippocampus:
“The hippocampus is believed to be particularly important for finding shortcuts and new routes between familiar places. Some people are better at this than others, and brain imaging shows that these individuals have more active hippocampi when navigating.
London’s taxi drivers are required to learn a large number of places — and know the most direct routes between them (they have to pass a strict test, the Knowledge, before being licensed to drive the famous black cabs). One study showed that part of the hippocampus is larger in taxi drivers than in the general public, and that more experienced drivers have bigger hippocampi. It may be that having a bigger hippocampus helps you to become a cab driver. It also seems that finding shortcuts for a living may make your hippocampus grow.”
How one gets an MRI scanner in the back of a Black Cab is anyone’s guess.
worrying about clicking on the ‘No, X is not my friend’ button in one of those social network apps like worrying about shooting someone in Quake?
And it looks bloody awful!
However it is very endearing in tone. Kinda Raymond Chandler meets typegeek:
“The redesign of The Economist was the reason to take a look at Officina Sans. While that was good as an “information” face, it was too goofy as a headline. Enter the Display version…”
[via whatdoiknow]
Petafloptimism 