here.
It’s a small unconference for designers in Amsterdam. Come and join us! (that means you, Fabio)
There’s an excellent little programme running each day this week at 3:45pm GMT on BBC Radio 4 called “How to find the sweetspot”. It’s an investigation of the circumstances of ‘sweetspots’ in nature.
I listened yesterday, to an episode about ‘rogue-waves’, with Australian physicist Len Fisher strewth-ing his way down the ‘soliton’ of the Severn Bore on a surfboard while another physicist colleague of his commented on the “singularity” that Len was being propelled along on. Excellent stuff.
Unfortunately, it’s one of an ‘underclass’ of programmes on the BBC that don’t have a permanent URL (yet) for either the programme or the stream – so I’ve (ahem) rescued yesterday’s programme and you can get it for one week only (or until Dan Hill beats me up) here.
Alex Wright on the wikipedia / autonomy!=authority thing:
“What irks me about some of the dialogue to date is an assumption (usually implied) that networked systems are somehow inherently more “fair” than top-down systems. Democracy, like unregulated free markets, are no guarantee of fairness. And while networked systems surely give users more opportunity for input, they also abide by power laws which, though perhaps ineluctable, are neither equal nor fair (especially insofar as they favor early adopters). Top-down systems, while seemingly authoritarian, may paradoxically do a better job of defending the interests of the individual. Just as mob rule is no way to run a country, so purely democratic classifications could lead lead to groupthink, favoring conformity and marginalizing dissent.
But again, I don’t believe that top-down and bottom-up systems necessarily have to stand in opposition; the two models may ultimately prove consilient.”
Amen.
“Fast [to iterate] at the bottom, slow [to consolidate] at the top” to paraphrase Alex quoting Kevin Kelly.
This, however, does seems to be the überpattern of wikipedia afforded by its structure, as demonstrated by Historyflow, with some catastrophy and punctuated equillbrium thrown in.
“(Medium-)Fast at the bottom, slow at the top” was the principle behind iCan‘s information architecture, enabling campaigners to say exactly what it was they were campaigning for, and letting casual browsers have a way in which had some stability, and common currency of meaning at the top levels.
Neologism alert – after all this talk of ‘folksonomies’ can I say information arcology yet?
Heh.
Apologies: a couple of things on weblogging and the liberalisation of publishing.
Rushkoff thinks that the “real threat of blogs” (sounds like an advert for pesticide: ‘protect your crops from the real threat of blogs’) is that they represent unpaid cultural production:
“I believe the greatest power of the blog is not just its ability to distribute alternative information – a great power, indeed – but its power to demonstrate a mode of engagement that is not based on the profit principle.”
Food for thought from 3QuarksDaily:
“Can we just reinforce what we believe by reading only those blogs and web press that agree with us, up to the point where our beliefs cascade away from any doubts and are reinforced. Long ago, Jack Snyder and Karen Ballentine argued that pathological politics (in their paper, an agreessive nationalism) was enabled by a segmented media market and poor or absent norms in the press.
Historically and today, from the French Revolution to Rwanda, sudden liberalizations of press freedom have been associated with bloody outbursts of popular nationalism. The most dangerous situation is precisely when the government’s press monopoly begins to break down.(4) During incipient democratization, when civil society is burgeoning but democratic institutions are not fully entrenched, the state and other elites are forced to engage in public debate in order to compete for mass allies in the struggle for power.(5) Under those circumstances, governments and their opponents often have the motive and the opportunity to play the nationalist card.”
Rhino waiter
Originally uploaded by blackbeltjones.
While Grant Morrison and Frank Quitely portray the future of animal cybernetics in warfare, I seem to obsess over its place in fine dining and hospitality.
Kieron Gillen writing beautifully about Morrison & Quitely’s “We3”:
“Reading naturally, the page after page of tiny, beautifully rendered frames start to flow past all the quicker as the reader, unhindered by extraneous exposition cuts from second to second in direct parallel at the increased pace of the escape, as security system and tiny lives fall apart. Thereâs too much to process, so the eyes streams from one to the next in search of meaning. But the faster it goes, the less chance there is of getting a purely logical one. However, as the images pile up, and a sense emerges. Not a strict linear sense â though it is graspable with study â but an understanding of the hurried confusion of the moments, piling up on top of each other until the become unbearable. Weâre pushed into the security office, desperate eyes moving between a dozen monitors trying to deal with something thatâs happening too fast to possibly contextualise.
Frame after frame hammers against us, and we sprint in turn, trying to reach a point where everything coalesces into something truly coherent.
And then the grids end, and we hit a single double page spread of the animals mid-leap, out the base, out of everything, free of the imposing structure that kept them hemmed tightly in.
And theyâre flying.
And so are we.”
I can’t seem to find a comic shop that sells current english-language comicbooks in Helsinki (do tell me if I’m wrong), so We3 will have to wait till my next trip back to London.
One of my favourite radio shows, “In our time”, in which each week an expert panel debates the history of an idea, is back after the summer.
In the trailer for the series on BBC Radio 4, Melvyn says that this run they’re going to cover:
Excellent.
—-
UPDATE: The Melv is already back in the saddle with the first In Our Time newsletter of the season following up the programme on Pi:
“…here is a mnemonic which is very relevant:âHow I want a drink – alcoholic, of course – after the heavy lectures involving quantum mechanics. One is, yes, adequate – even enough to produce some fun and pleasure – for an instant, miserably brief.â
Something to sing in the bath. This could be said to describe my state, but it is also a way in which you can remember the first 32 digits of pi. The number of letters in consecutive words gives the corresponding number in pi. Therefore, how=3, I=1, want=4, a=1, drink=5, alcoholic=9, etc until we get 3.141592653589793238462643 ad infinitum.
This was produced by Professor Kaplan but, alas, there was no time for it on the programme and, therefore, I offer it to all those of you who contribute to the first newsletter of the new season. I’m glad to be back with the programme and I hope you can remember this mnemonic for future reference.
Best wishes
Melvyn Bragg”
Martin Wattenburg, IBM Research
Originally uploaded by blackbeltjones.
Lots being written at the moment about the authority of Wikipedia, after aspersions were cast recently by a journalist.
I don’t have anything to add other than the suggestion that both critics and it’s rather stung-sounding supporters are confusing authority with autonomy, in the principia cybernetica sense: “Self-asserting capacity of living systems to maintain their identity through the active compensation of deformations”
At DIS2004, Martin Wattenburg gave an impressive demonstration of this using a real-time java visualisation of the wikipedia: HistoryFlow, which I’ve written about here before.
Focussing on controversial subjects, Martin visually demonstrated the self-regulation, recovery from attack and consensus- generation the system manages in a remarkably short, you might say, biological time frame.
After seeing it illustrated with HistoryFlow, I don’t think that the harshest of critics could doubt the wikipedia‘s resilience and self-moderation.
It’s “authority” though might be a different matter.
The wikipedia’s structural strength and resilience confered by its form, also condemns it to be being in the constant flux of the wikinow – and that immediately erodes it’s ‘authority’ in traditional terms or perhaps ‘timelessness’ would be a better word.
As Liz Lawley comments on Joi Ito’s post (the comments are where the action is on that post, btw):
“while the back-and-forth of community editing may, over time, result in information with significant balance and validity, there’s also the very real potential of an unsuspecting user coming across an article during a pendulum swing. With print reference sources, that back-and-forth occurs as well, but it’s typically invisible to the end-user, who always receives the post-debate version.”
Another correspondent further down in the comments remarks:
“Encyclopedias are supposed to give information seekers correct information at any given time, not prove that they are self-repairing knowledge-building processes.”
Authority is a slippery, socially-constructed thing conferred over time, and the most authoratitive texts in our language once only had the authority most dubiously viewed by an establishement, that conferred by the dilligence of volunteers, just like the wikipedia.
This from Simon Winchester’s “The Surgeon of Crowthorne”:
“The undertaking of the scheme, he [Dean Trench] said, was beyond the ability of any one man. To peruse all of English literature – and to comb the London and New York newspapers, and the most literate of the magazine and journals – must be instead ‘the combined action of many’. It would be necessary to recruit a team – moreover, a huge team, one probably comprising hundreds and hundreds of unpaid amateurs, all of them working as volunteers.
The audience murmured with surprise. Such an idea, obvious though it may sound today, had never been put forward before.
But then, some members said as the meeting was breaking up, it did have some merit. It had a rough, rather democratic appeal to it. It was an idea consonant with Trench’s underlying thought, that any grand new dicitoonary ought to be itself a democratic product, a book that demonstrated the primacy of individual freedoms, of the idea that one could use words freely, as one liked, without hard and fast rules of lexicial conduct.
Any such dictionary certainly should not be an absolutist, autocratic product, such as the French had in mind: the English, who had raised eccentricity and ill-organisation to a high art, and placed the scatterbrain on a pedestal, loathed such Middle European things such as rules and conventions and dictatorships. They abhorred the idea of diktats – about the language, for heaven’s sake – emanating from some secretive body of unaccountable immortals. Yes, nodded a number of members of the Philological Society, as they gathered up their astrakhan coats and white silk scarves and top-hats that night and strolled out into the yellowish November fog; Dean Trench’s notion of calling for volunteers was a good one, a worthy and really rather noble idea.”
Jimmy Wales, of the wikipedia gave some talks yesterday in London, and if anyone has notes if would be very grateful if they could point me to them.
IM with Kai Turner, ace infomation architect and bon vivant who I had the pleasure of working with at Sapient:
AIM IM with kaiganism
16:34kaiganism : Do you think there will be a convergence of things like Flickr, Bloglines, Blogger, Friendster (yuck) — ? Or is the beauty of these services that they can stay singular in their focus?
BBJ01: i think it’s not an either/or
you get conFUSION though web services and information exchange formats
then you get some super converged super easy for consumerskaiganism : mmm.. so give it time, you say
BBJ01: so – people who love the quality will have ‘hifi separates’
all joined by standard interfaces
‘home info theatre’kaiganism : that’s a nice analogy.. hadn’t thought of it that way.
BBJ01: others will have converged boomboxes
with only a couple of knobs, but pretty lights!kaiganism : you can be the geek buying all the components, or go straight to dixons… but dixons will wait until the standards have settled down and you have an audio-DVD format, for example.
BBJ01: yeah i guess… although perhaps i am labouring the metaphor!
kaiganism : no — it’s nice. you should blog that
instead of confusing us with ilovebees.com
down here at the consumer-edge of the spectrum.
or maybe i’ll do that… i can turn my blog into blackbeltjones for the masses. Like Scientific American mag.BBJ01: heh. explaining matt jones since 1999
kaiganism : hahaha
Kai is now producing Design on DVD, a series of DVD monograms on design legends, starting with Saul Bass… Go buy it
Peter Lindberg has posted a nicely considered piece on computer architecture and it’s relationship to the general meaning of architecture, including this definition by Fred Brooks whom he entered into correspondence with on the topic:
“Computer architecture, like other architecture, is the art of determining the needs of the user of a structure and then designing to meet those needs as effectively as possible within economic and technological constraints. Architecture must include engineering considerations, so that the design will be economical and feasible; but the emphasis in architecture is on the needs of the user, whereas in engineering the emphasis is on the needs of the fabricator.”
I would contend that great architecture has it’s emphasis on the end-user – at least, on the end-user alone.
The emphasis is on the needs of the culture it is to embed itself within; via the consideration of site, place, history, context, ecology, arcology, archeology, climate (interacting with climate both to modify it for it’s inhabitants and it’s immediate external context) and the aesthetic / symbolic impact it may have. Also, the consideration of the end-user’s needs (in architectural terminlogy, the programme of the space) is done with this cultural-embedding in mind. How does the programme mesh with it’s surroundings? Do the end-users of the space feel part of a continuum, whether rural or urban; or isolated and hermetically-sealed off from their surroundings.
Can this extend into software? Clay’s situated-software meme scratches the surface of the above – it’s throwaway in most cases: coop-himmelblau or archigramesque digital urban intervention, not digital architecture or digital urbanism.
What would computer and software architecture that was truly analagous to architecture be like?